Davide Balliano (Turin, IT 1983) is an artist whose research operates on the thin line of demarcation between painting and sculpture. Utilizing an austere, minimal language of abstract geometries in strong dialogue with architecture, his work investigates existential themes such as the identity of man in the age of technology and his relationship with the sublime. Through a practice that is self-described as monastic, austere and concrete, Balliano’s meticulous paintings appear, upon first glance, clean and precise. However, closer inspection reveals scrapes and scratches that uncover the organic wooden surface underneath the layers of paint, as a decaying façade of abandoned modernistic intentions. In addition to painting, Davide Balliano is also known for his sculptural work, which translates the visual vocabulary found in his paintings into solid objects, often in ceramic, wood or stone. Originally trained in photography, Balliano shifted to painting and sculpture in 2006 while relocating to New York City, where he currently resides and works.
Recent solo exhibitions include Museo Novecento, Florence (2019), Dirimart Gallery, Istanbul (2019), Tina Kim Gallery, New York (2019), Bottega Veneta Maison, New York (2018), Marca Museum, Catanzaro (2018), 39 Great Jones, New York (2018), Tina Kim Gallery, New York (2017), Luce Gallery, Torino (2017 / 2015), Timothy Taylor Gallery, London (2015), Room East, New York (2014), Galerie Rolando Anselmi, Berlin, and Michel Rein Gallery, Paris (both 2013). His work has been included in group exhibitions at David Zwirner Gallery, New York (2015), Sean Kelly Gallery, New York (2010 and 2014), Madre Museum, Naples (2012), the Quadrilateral Biennial in Rijeka, Croatia (2011), The Watermill Centre, New York (2009 and 2011), MoMA PS1, New York and the Espai d’Art Contemporani de Castelló, Castellón (all 2010).